Ada Patrizia Fiorillo
[…] it is underlying a dimension of doing which is caught in a dose of astonished observation, the artist is busy reflecting of important themes such time, memory, emotion. An attention which is clear in the recent series “Places of self”, small boxes of light in which the starting point of a nature undertaken in the temporary wrinkles of cortex and trees’ logs, it is the way to find docks that get lost in the bright limbo of superior emotional status. It is in this suspended space that Ambrosino plays his game by displaying an ability which he owes partly to painting, partly to sculpture, and in substance to those artifices through which he tries to stop fragments of an own interior time.
