Genesis of the work
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The shape, the appearance, different from the being, which is extremely instable, variable and conditioned by environmental factors.
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The numerous masks which we wear are just the product of dynamic structures generated by the different combinations of environment/being.
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My provisional share can be perfectly cohesive with the environmental factor of transform hostile sensations in asperity, tips, spurs.
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I can recognise myself in the most intimate substance from which I am made.
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I can find myself conditioned in different forms that have like common generator what it was and what I propose myself to be.
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The so-called capacity of adaptation which defined the human being evolution.
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The surface of latex or silicon sculptures to stimulate tactile body sensations.
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The surface of sculpture in ice resin to stimulate the elementary immobilization of a fluid form.
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White color to suggest the sense of eternity of the sculpture (ice resin).
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Primordial and essential need of figurative sculpture …
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Conscious awareness of having to go beyond and get to rigorous, geometrical forms which are the sign (testimony) of my passage.
